In the heart of Sarajevo, a transformative approach to public space planning is unfolding, one that could redefine how cities worldwide balance cultural heritage, community needs, and urban development. At the forefront of this shift is Senka Ibrišimbegović, an Associate Professor at the University of Sarajevo, whose research, published in the Athens Journal of Architecture (translated as the Athens Journal of Architecture), is challenging the status quo of top-down urban planning.
Ibrišimbegović’s work focuses on the Cultural District Sarajevo, a space nestled between the future Ars Aevi Museum, the Historical Museum of Bosnia and Herzegovina, and the National Museum of Bosnia and Herzegovina, along with the “urban voids” of Grbavica. This district is a microcosm of the contentions that arise when various interest groups—citizens, planners, investors, heritage disciplines, and local authorities—vie for influence over public spaces.
The traditional approach to urban planning, often characterized by a top-down methodology, is increasingly at odds with the technological and social dynamics of the digital age. Ibrišimbegović’s research proposes a participatory approach that integrates culture and shifts the educational paradigm, aiming to create more inclusive, sustainable, and community-driven solutions.
“Unlike other design disciplines, the specificity of designing public spaces lies in the imperative of participation, mediation, and balancing the interests of multiple actors,” Ibrišimbegović explains. This participatory approach is not just about aesthetics or functionality; it’s about creating spaces that resonate with the community’s cultural identity and meet their real needs.
The commercial impacts of this research are significant, particularly for the energy sector. As cities become more sustainable and community-driven, the demand for innovative energy solutions that align with these values will grow. This could open up new markets for energy companies that can provide decentralized, renewable energy solutions tailored to the needs of local communities.
Moreover, the integration of culture in public spaces can enhance the attractiveness of urban areas, boosting tourism and local economies. This, in turn, can drive demand for energy-efficient infrastructure and services, creating a virtuous cycle of sustainability and economic growth.
Ibrišimbegović’s research is a critical response to the mismatch between existing planning approaches and the evolving needs of urban communities. By proposing a methodological approach that emphasizes participation and cultural integration, she is paving the way for a more inclusive and sustainable future for public space planning.
As cities worldwide grapple with the challenges of urbanization, this research offers a compelling model for balancing the interests of multiple stakeholders. It’s a reminder that the future of our cities lies not just in concrete and steel, but in the stories, cultures, and communities that bring them to life.